Iron Man

May 4th, 2008 by Brack

Hopefully the sparseness of posting will be over now. I’ve been feeling grotty and been laying low for the past couple of weeks, partly self induced as I wasn’t taking the medication I’d been given in the manner it was meant to be taken. So… howzabout that Iron Man film?

Right now I’m of an opinion that this is the best superhero movie we have. It’s at once true to the source material and accessible. And above all, it’s fun all the way through.

The fun is infectious, most of it emanating from Robert Downey Jr. Now the first two Spider-Man films are pretty fun, but when it gets serious the fun drains from the film. As good as Batman Begins is, a lot of the film is poe-faced, there’s warmth there in Caine and Oldman’s performances for sure, but it feels more worthy than a fun comic book film.

Even when Tony Stark is at his lowest, Iron Man maintains a sense of fun. The key to this in the characters. Downey deserves the bulk of the credit, particularly for making the pre-heroic Stark so likeable even though he’s an irresponsible ass. Which is key, as it stops Pepper Potts and Rhodey from looking horrible for being friends with him. Even when he was a “merchant of death” he’s so charismatic and full of fun that you’d want to be his friend.

A film that wanted to be pretend it wasn’t a comic book film would have had Stark become wracked with guilt to point of becoming a sour faced grump after his road to Damascus moment. What makes Iron Man fun, and thus great, is that the heroic Stark’s approach to changing the world is exactly same as his approach to having fun and making money.

One thing that I’ve not seen commented on much is how good the physical effects are. Stan Winston’s crew do a exemplary job on the physical armours and they blend seamlessly with the animated effects. The fact that there was physical versions of the armour makes them feel a lot more solid than a solely CGI effect might have given us. The general level of props and set dressing is splendid too. It’s particularly noticeable as the film doesn’t actually use that many locations - a great deal of the movie is Stark in his workshop essentially talking to himself.

I’ve read that plenty has been cut out, a lot of Rhodey’s scenes apparently fell by the wayside and the Ghostface cameo isn’t there any longer (we do get a new Ghostface track though in the scene on the plane), but by making the film roughly 2 hours and focusing it firmly around Downey works wonders. It’s a rare scene in Iron Man that doesn’t have Downey as part of it and he’s the glue that holds it all together.

***

The trailers we got with it were Crystal Skull, Hulk and Speed Racer. There may have been a fourth one but I can’t recall it.

The Hulk trailer was the first one, which thrilled me the first time I saw it, but left me cold on a second viewing. I think the direction and effects may be the weak spot here, the story looks a reasonable reworking of Abomination’s story, and there’s plenty of good actors in it. Norton seems to act himself small and timid as Banner which is pretty impressive.

The Crystal Skull trailer came off incredibly leaden. No shots were cinematically exciting and it has the aura of un-neccessity about it.

Speed Racer at least had me feeling “YEAH! CINEMA!”. Given past experiences of the Warchowskis, I suspect the story will be weak, but the visuals great. But I was fine with Dick Tracy and Cutey Honey live action films for the same reason, so I’ll be giving this a watch next week.

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Detriot Metal City OAV - TAF08 trailer

April 7th, 2008 by Brack

Uploaded by saueki

This looks a very good capturing of the art style, similar to how well Sexy Commando and Cromartie were animated. I wonder who is directing, as it would be an ideal project for Akitaro Daichi’s comic timing. Detroit Metal City as a whole really needs a proper English release, the parodies of heavy metal and aspects of the music industry are pretty much familiar wherever in the world you are. Hopefully the live action film might be the thing to kick start it Tokyopop or Dark Horse’s interest (I don’t think anyone else has licensed Young Animal titles - am I wrong?). Sharing a star with the live action Death Note has brought the live action film onto world cinema sites radar, so a US release seems a definite possibility.

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Five Awesome Links

February 8th, 2008 by Brack

Ben Ettinger writes far more than we have any right to expect to see in the English language on the Tiger Mask anime.

WFMU’s Beware of the Blog dicusses “midcore” gaming

Twitch brings the noise on 20th Century Boys.

More from Twitch! Ani-Kuri 15

The Best of Oh Word in 2007

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Cod Liver Elf

February 3rd, 2008 by Brack

At first I was dis-inclined to see Cloverfield. “Viral” marketing can easily come off as obnoxious, though this isn’t necessarily due to the marketing itself. Often it’s down to the people who buy into the marketing working themselves up into an annoying lather, alienating those who aren’t into the marketing to the eventual product.

Also I think there’s a risk that by putting creative efforts into satellites of the main product, you can end up losing focus on what you want people to pay for. As Lost is a good example of a show with lost focus and all sorts of orbiting ephemera, and this film is coming from the same production company I wasn’t all that eager to see it.

However, on reading it was only 77 mins long once you ignore credits, then it became a much better prospect.

As a monster movie filmed from the POV of the fleeing civilians it works marvelously. All that internet gumph that they marketed it with? Forget it, you never feel like you are missing a piece of the puzzle. A monster attacks New York, people flee. That’s all you need to know. Quibbles are minor, it can be a little too cute on occasion - having the cameraman being called Hud for instance - and more obvious 9/11 references are a little cringeworthy. But the thing is over so fast that they don’t have the time to hang around and annoy you. The lack of explanation for why the monster exists and is attacking New York is also not a problem for the same reason. Had it lasted longer and not given you an explanation, then you might have grounds to complain, but for what it delivers - no explanation is needed.

I do wonder how people who had bought into the internet marketing games reacted to it - was it the payoff that they were expecting/wanted? Did following the trail of internet gubbins add anything to what was on screen?

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A HAPPY MOMENT

January 10th, 2008 by Brack

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Beowulf

November 19th, 2007 by Brack

I went to see it this morning.

It’s bad.

The dialogue is fine, and vocally the performances are pretty good. The plot however takes a fair few liberties with the story, particularly in the last 2/3rds of the film. Seeing as the story has lasted since the 8th century, is there really any need to tamper with the original plot?

The motion capture is pretty horrid. Characters who don’t have big bushy beards particularly suffer from look like inhuman mannequins. Movement, particular rapid movement looks horribly jerky. You can get away with it in special effects sequences in live action, but the problem is the entire film is a special effect sequence and so your eye is drawn to it again and again.

It’s best evidenced in the final third of the film when there’s a lot of running. The running doesn’t look like normal human running, it looks like normal human running filmed, and then frames have been removed. I’ve seen 3 frame walk cycles in traditional animation that looked more like running that the running did here.

And this is why mo-cap fails in comparison with animation or live action. Whereas animation is the creation of an illusion of reality, motion capture is taking a real performance, and making it more artificial. It’s ruining performances. John Malkovich’s in particular in the case of this film.

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Sunday’s Post, TODAY~!

September 24th, 2007 by Brack

I watched a couple of films yesterday, which I then wrote about and didn’t post. In the case of the latter film, it was probably for the best I’ve given it some more thought on the hikes from and to the exhaust place I had to do today.

First up was Tekkon Kinkreet, which I’ve finally seen after about a year of being all excited about it. Thankfully it didn’t let me down.

I’d read a fair chunk of the manga when it was published as “Black and White” in the pages of Pulp. It was always my favourite of the strips in there and for the past couple of years I’ve been all over Studio 4°C, so my hopes were high for Michael Arias’ adaptation. I’ve not seen the dub yet, and I understand the English script was written first, but the Japanese version flowed well. Boy band member Kazunari Ninomiya as Kuro was probably the weak link in the cast, sounding a little too like someone reading lines, but that can be seen in US animation too with actors who aren’t voice actors doing animation. Yuu Aoi (Hagu in the live action Honey & Clover) steals the show with her performance as Shiro, and Min Tanaka (is this the Butoh dancer?) is a good Nezumi.

I don’t know if it’s my memory playing tricks on me, but I seem to remember the manga having more of Nezumi and his view of Treasure Town in it. My copies of Pulp went binward when I moved last year so I can’t check at the moment. I should get the new one volume collection to compare it.

The most dazzling thing about the film is the background art and I see there’s 3 artbooks, two of which are in the same format as Cannabis Works, so I can see me grabbing them if the background painting/designs are in there.

Of the three 2006 anime films I was getting all excited about, I still think Mamoru Hosoda’s The Girl Who Leapt Through Time is the best, but this and Paprika are both hot on it’s heels.

After watching Tekkon Kinkreet, I went and watched Superbad.

It’s not as good as I was hoping for from the trailer, but I don’t think it’s as bad as some reviews it’s got in the UK. The first segment, basically everything prior to the first McLovin gag, is wearisome, and I’m not sure if the misogynistic ignorance that is spouted by the characters here is supposed to be found amusing by the audience in itself, or if we are supposed to find the fact that they are so ignorant amusing. Either way it doesn’t work.

What it does do better is slapstick and situational comedy. The stuff with the cops, Joe Lo Truglio’s character and Micheal Cera’s scene with the coked up guys work well. But, there’s been comedies who’ve done the whole getting from A-B with hijinks inbetween better, and have made that the focus of the film. Danny Leiner’s films for example. Yes, I am saying “Harold and Kumar” AND “Dude, Where’s My Car” are better (”Dude, Where’s My Car” is a film I found myself surprised at liking. Admittedly I was very ill at the time, so that might have played a part).

What would have made it better?

Well, the female characters could have been more fleshed out, it’s not until the last 15 minutes any of them really get a personality and that seems to be only in order to deliver what amounts to the films moral. A moral that had been delivered about halfway through the film anyway. And the most interesting aspect of the film, the separation anxiety of the two leads, gets lost in the rest of the film. And it’s far too long for a comedy, a good deal of the film before the attempts to buy alcohol could be excised from the film.

It’s not as good as a lot of people are making out (imdb top 250! really?), but it’s also not as bad as few people have painted it.

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Evil Powers Of The Internet, Give Me Strength

September 22nd, 2007 by Brack

* Watched the leaked King Of Kong cut. It’s an excellent documentary, even in this unfinished form. While it’s obviously been cut to paint Billy Mitchell as something of the villain of the piece, he does come across as a strange, yet charismatic person just in what he says to camera. Comparing Donkey Kong to the “abortion issue” at one point illustrates his strangeness regardless of of the film is edited together. And it’s edited very well.  The storytelling the film works very well due to how it’s edited. I’m hoping it gets a UK release, otherwise I’ll pick up the inevitable R1 DVD. Could well be my favourite film of the year.

* While Fox drag their heels on a Get A Life season 1 boxset, I’ve been watching it via VHS rips that were on MySpleen recently. This is another show I discovered from browsing Jump The Shark (and the samples on Handsome Boy Modelling School’s debut), but unlike Mr. Show it was a lot harder to track episodes down. Chris Elliot’s sitcom is a curious experiment that is really hurt by the laughter track. Not the greatest sitcom in the world, but certainly ahead of it’s time, with some expectational episodes, like “The Prettiest Day Of My Life” the episode that gave Handsome Boy Modelling School their name.

* Flashlight Fight by The Go! Team featuring Chuck D is all over my ears. Hear it at prefixmag and I’m sure you’re smart enough to weedle the mp3 out of that page.

* Got caught up with Gurren Lagann this morning. Episode 24 seemed influenced a lot by the shoot-em-ups I grew up with. I spotted what I thought were Parodius, Gradius and R-Type references, and I’m sure there must have been more. Episode 25 was all sorts of emotionally charged awesome. Two more eps to go!

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Forthcoming Presentations

July 27th, 2007 by Brack

Well my whole “feeling better” thing was a little premature. Off the pills though as of tomorrow morning so no longer find myself dozing off randomly. In the meantime here are some film trailers.

Hey new Coen Brothers film you are looking enticing. I didn’t see Ladykillers and I thought Intolerable Cruelty had good performances and gags wasted on plot that was all front-loaded with no real climax. Or middle. But this looks peachy. It’s just depressing we’ve got to wait until Feb 08 to see it here.

This snuck up on me and took me by surprise. The last I looked Fantastic Mr Fox was the next Wes Anderson film (I guess after 3 years of looking at film release dates every day as my job, I’ve found myself taking a break), so catching the poster they released the other week for The Darjeeling Limited was a pleasant surprise. I’ve loved every Anderson film so far, so I’m really looking forward to this.

Hey, I hadn’t realised this was written by Stella/The State chap Michael Ian Black. And when you add the fact David Schwimmer is directing, it’s a strangely enticing mess of talent.

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Yes.

June 26th, 2007 by Brack

Just linked to on 4chan’s /co/

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