Dynamite In The Brain – Episode 23 – Knocking on Heaven’s Door

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Leon Everett is back to discuss Cowboy Bebop The Movie. And to perform an acapella version of the Big Shot theme tune! And we answer the question that was on everyone’s lips following Episode 22 – What was the name of the Pog mascot?

Anthony wants you to watch his Redline AMV.

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Theme music by Paul Smith of quiet quiet band.

You can find Anthony Askew on the web here, here , on twitter here and on youtube here.

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Category: Anime, Podcast

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Three ways I’ve noticed TV shows kill themselves.

1) Show your working out.

Now this was encouraged in maths exams, but less so in TV shows. It’s the point at which the writing begins to point out the conceits of the show and the mechanics of earlier scripts. It’s all very fun and meta, and often the episodes that do this are really great. But once you’ve let the genie out the bottle it’s pretty hard to get it back in again.

The most famous is probably the “Homer’s Enemy” episode of The Simpsons. As I recall, before the site sadly disappeared from the internet, this was a big vote getter on Jump The Shark Dot Com’s list of when The Simpsons jumped the shark. People vehemently hated it. Personally, I find it funny, but it did mark a point where they started to point out the conceits of the show and you started see the foundations that had made it great for 8 seasons get undermined, leading to bad ideas like a sober Barney and cartoon violence with no consequences.

Community flied dangerously close, dangerously early, last season with “Paradigms of Human Memory”, their fake clip show. Admittedly, it flies close to the wind most episodes due to the Abed character, but by constructing chunks of shows that did not exist, yet making them believable as real episodes, you could see a little too much of how an episode is written. Again though, it was a great episode.

It’s a general flaw with the Dr Who revival too, with too many writers who grew up with Doctor Who using the show to explore their own fandom of the character rather than writing straight forward Dr Who episodes. At this point I think we get the conceits inherent to the Doctor/companion relationship and it probably doesn’t need to be explored that much more. They’ve made for some good episodes, but it’s getting tired.

2) Forget what made you good and focus on what made you popular

Aka “listening to the fans”.

Two examples spring to mind, the first is Psych. It started as a great little detective show, and as great as the chemistry between its leads was, more importantly it had good mysteries to solve each episode. Unlike Monk, which had drifted far from being a whodunnit show, the mysteries were the focus early on and they worked. The technique of showing the viewer Shawn’s zooming in on clues allowed you to play along as couch detective.

However, that wasn’t the element that the fans loved. They liked the 80s pop culture references and the Shawn/Juliet non-romance romance. So by season 5 it was now bogged down in 80s pop culture and the non-romance turned into a romance. All to the detriment of the mysteries as they often got sidelined by stunt guest stars and an uneffective ongoing love triangle plot.

The other example is Hetalia.

What is great about Hetalia is the ludicrously specific historical gags. What the fans love though is gay innuendo. First TV series has the right balance, the second does not and it all becomes rather tiresome. Thankfully they seemed to realise this and the third appears to readdress the balance, helped in part by increased focus on other “countries”.

3) Getting bored of the characters you are writing

Sometimes shows get too popular and are making too much money to be cancelled. Again The Simpsons falls under this category. They even mention on early season commentaries that there were characters the current writers were bored of, like Mr Burns. Of course the advantage with the Simpsons is that it has a large cast and if they want to make it larger they can just draw new characters. A bigger problem is in live action comedies.

Like Friends.

Now I don’t know for sure that writers were bored with the Friends lead characters, and I don’t even like the show that much, but I ask you to compare the characters at the start of the show and the end of the show. Have they not turned into grotesque caricatures by the end? If you need a further contrast, look at Paul Rudd’s character. He seems like he’s come from a perfectly normal, rational sitcom and accidentally walked into a world occupied by screeching idiot monsters.

Are there other reoccuring problems you see in TV shows where they appear to be inadvertantly suiciding themselves?

Do you have other examples?

Category: Animation, Anime, TV

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FANSERVICE × EXPLOSIONS

From Shameless School by Go Nagai

Category: Manga

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Dynamite In The Brain – Episode 22 – 1100 Pogs!

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Brian’s fixed his PC and we’re back, back, back! We get hyped about the new Kamen Rider series, Kamen Rider Fourze. Then we talk about the forthcoming Autumn anime that have peaked our interest. Also we somehow end up talking Entourage, college weirdos and POGS!

PLUS: The internet comes alive with re-enactments of angry youtube posts

NOT TO MENTION: Anthony wants you to watch his Redline AMV.

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Theme music by Paul Smith of quiet quiet band.

You can find Anthony Askew on the web here, here , on twitter here and on youtube here.

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Category: Anime, Podcast

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Episode 21 – Like Crack on Steroids

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It’s all about Redline, the latest work from Takeshi Koike. Brian’s seen it far too many times at the cinema over the last year and a half, and now Anthony’s finally had a chance to check it out. So we talk about it for an hour. Plus: Speed Racer gets belatedly analysed, cosplay updates, shameless spreading of internet rumours and a ridiculous metaphor that Brian can’t remember if he used or not.

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Theme music by Paul Smith of quiet quiet band.

You can find Anthony Askew on the web here, here , on twitter here and on youtube here.

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Category: Anime, Podcast

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TIME? IS IT HOLDING UP? OR IS IT AFTER US?

Recently, while looking for new episode ideas for Dynamite In The Brain, I recalled an old interview with Frank Black. Now this is entirely from memory so I may be totally misrepresenting the Pixies frontman, but he mentioned how he only listened to records that history had decided were worth listening to. That the thrill of the new, and the sheer amount of new records made it hard to judge them properly, but if after a decade people still said an album was worth listening to, it probably was.

I tried to live by that rule, briefly, with my CD buying in 1999, but I do still like that thrill you get with new things. Thrills are fun. If he taught us one thing, then that is what Tharg taught us. I think pop culture ephemerality has its place, not everything has to stand the test of time and can just be for the now. Plus, if you check things out when they are new, then you get the chance to be one of those gatekeepers of taste for future audiences. If only gatekeeper of taste came with a cool uniform.

Eventually though it gets harder and harder to keep up with new things as your life begins to fill with responsibilities, and so it’s easier to look to the annals of history for tried and tested entertainment. So I want to do at least one episode a month of Dynamite in the Brain where we look back at an anime film or tv show from 10 years ago. It’s part laziness and part the fact that we got a bump on downloads for the FLCL episode.

So what do I think is worth a revisit in 2011?

Well, it was a good year for films. Cowboy Bebop: Knocking on Heaven’s Door (which should be our first episode on this topic), Spirited Away, Metropolis, Cat Soup and Millennium Actress. At least two are great films and the rest are at least worth a viewing. There was also WXIII: Patlabor the Movie 3, but I’m yet to see that.

OAVs of note included Read or Die, Puni Puni Poemy and Animation Runner Kuromi. There was also Alien Nine and Spirit of Wonder: Scientific Boys Club, two I missed but would like to check out at some point. Oh, and there was Kai Doh Maru, which might be worth revisiting to see if I can relinquish my throne of the only guy who kinda liked it.

TV Shows? Well that’s a tougher call. Hare+Guu still holds up that’s for sure. Mahoromatic wasn’t my cup of tea, but animation-wise still seems fairly strong. Beyond that? Well, for sure Noir will be remembered, but that is quantifiably no good. Don’t argue with me on this point, I’ve taken the measurements. s-CRY-ed? Galaxy Angel? Seems unlikely that they would hold up, or even that they were that great to begin with?

Obviously it’s not surprising that higher budgeted movies and OAVs would stand out more than shows with TV budgets. Its part of the reason why my mind gets boggled when people complain about “bad seasons” or “bad years” for anime. I’m pleasantly surprised if there’s FIVE films/shows a year that I LOVE. Because that’s about my limit for pretty much every other form of media at this point. The rest is just ephemera that few will remember anyway.

So what other anime from 2001 is worth revisiting?

Category: Anime

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